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Mutuality through potential is the small flame of a fire built on hope.

Each log placed in careful awareness,

Slow churn of the breeze both food and threat.

In an indeterminate direction.

A terminal contradiction on the backdraft.

 

Not so much breathing,

But a tessellate exhale,

Through a forest of such pure morning,

The medicine almost too much to take.

 

The soil is the consolidated pattern of every tear drop,

Left in anticipation of change,

Like the slow boil of the soul in a new encounter.

 

In the hearth, there is a prayer

And a dare to whisper,

Everything I hope to be in love.

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OCTOPUS ALCHEMY

This morning I awoke to my notoriously difficult to shake habit of reaching for my phone and scrolling my facebook feed. By all accounts, my feed is full of interesting and challenging stuff in equal measure and this morning was no exception: Today I came across a posting by a friend about Foie-Gras with the caveat “This is to horrid not to share” – she wasn’t wrong.

The web-storm of commentary on Foie-Gras comes after a federal judge struck down the ban on serving it in California.

Foie-Gras is a grotesque industrialised form of animal farming, to produce a delicacy savoured in the West as a profound eating experience. So profoundly sensuous that the roundup of views from the outpourings of food critics resemble the kind of poetic testimony you’d expect of people having some transcendental experience. The taste of Foie-Gras is ‘soul-ful’; an ‘indisputably delicious’ taste that…

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I’ve been waiting. Waiting for that warm glow on the fingertips.

An aural envelope that sings over the skin; a sign for writing.

Scribing the now-myth (legend?) of the paddington farm solstice, the weaving of a new albion potential – is daunting.

 

Should I talk about my tribe of warriors? Facing down a queer burden of shame with exhilarating, fierce-piercing love.

Like hot knives through a butter of bullshit, a searing arc through the rank curse of revolving closets – each witnessed to dissolve like charred flesh in the unwinding of fire.

Taken in by trees that know it no different, and which hold you all the same.

I watched ghosts walk on in bodies that day. I’ll never forget it.

 

Should I talk about my tribe of two-spirits? Walkers on tightropes of imperceptible wavelengths, each wing-tip dipped in the crimson of other-dawns and the fine-centring-focus of the minds that know – and played the solstice in.

How the fire burns and holds – surging within, reflected in flame. 

It licks at corners of the unseen unfolding of a boiling-spirit, that animates us each according to our own, but each according to its calling; cackling for its chaos, fucking for ecstasy, embracing in joyful-love – beating drums like a calling, the spirit is home.

 

Should I talk about my tribe of lovers? Fearless in their heart-space, bold in their sharing – an antidote to the plague of “not enough”.

Dancers on the margins, eros on the fringe; eyes like opals in greeting – even in the stillness, at rest, circles twist behind the eyelids and it plays.

Rendering possession meaningless with a fluid love, spontaneous.

A reciprocal gift, untapered, without boundary.

A weaving of tendrils so potent, so unshakeable – we were all touched. And continue to be.

 

Should I talk about the future? About how I saw it – each beat of that drum that I never played, at the intersection of each vibration, its poetic-geometry opening to me, opening like the simple gesture of a flower, opening to the sun.

Each beat, each snarl, each moan – each glide of skin, each pulse of cock; each and every moment in gaze of bewilderment – held in the bowl of its spectacular crown.

We played with it. It played through us. We were perfect. We will be more.

 

 

 

 

 

 

 

 

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